Here is a photo I took this morning of the David Nash: 45 Years of Drawing exhibition at London's Annely Juda gallery. This room is dedicated to Ash Dome, the living tree sculpture he planted in 1977. Over the years he has returned to tend the trees and make drawings, using charcoal, raw pigment and earth from the ground they circle. The drawing below shows how the trees were fletched over and grafted. In the catalogue he explains:
I planted 22 ash saplings in a circle with the intention of forming a dome like space for the 21st century, a 30-year project. In 1981 I grafted on branches to take up the lead growth when the tree was fetched and 1983 I started fetching in an anti-clockwise direction around the circle. Over the years each tree has formed its own individual shape, all spiralling towards the centre. (This is achieved by pruning).
The exhibition has film footage showing Nash as a young man planting the saplings and as an older man seeing how they have evolved. In a 2016 post on this blog I described a BBC documentary about British land artists that included Ash Dome: 'David Nash tells James Fox that clips of him working on it over the years show the sculpture gradually growing while he just gets older (Fox tells us he wasn't even born when Nash planted the saplings in 1977).' Sadly this hasn't happened: Ash Dome was not destined to keep on growing.
In a 2019 interview with Martin Gayford, Nash mentions the arrival of ash dieback disease, although the sculpture was still being referred to as Ash Dome (1977–ongoing). Now it is called Ash Dome (1977-2019). The first drawing above is Ash Dome with ash dieback, the second Ash Dome with oaks. After some deliberation Nash decided to plant a new dome of 22 oak trees surrounding the dying ash trees, this time to be fetched in a clockwise direction. So there is hope here for a new 22nd century dome that will outlast us all. But it is a sad moment in the film (see below) when, earlier this year, Nash returns to his sculpture and picks up one of the original trees which lay broken on the ground.
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