Clouds Rising from the Green Sea
Ten Thousand Riplets on the Yangzi
The Waving Surface of the Autumn Flood
These beautiful images are from the Water Album, twelve studies made by the great Southern Song painter Ma Yuan (c. 1160–65 – 1225). They have always been admired and were adorned with admiring colophons by various Ming Dynasty connoisseurs from the late fifteenth century. They were recently 're-made' by an artist, Zhang Hongtu, whose paintings question whether Ma Yuan would have been able to paint such views now, standing 'before today's rivers and lakes, fouled by chemical toxins and industrial waste.' As Richard Edwards points out in The Heart of Ma Yuan: The Search for a Southern Song Aesthetic, Ma Yuan's calligraphic depictions of water are all based on a contradiction - lines alone are used to convey an ever changing, constantly moving element that seems impossible to describe in this way. The titles of each one were added to the album by Empress Yang and dated 1222. Edwards lists them in his book in a slightly different translation from the one used online for these images, but both sound good. In sequence they resemble a poem on the properties of water as it forms pools and lakes, passes through rivers and enters the 'vast blue sea'.
Waves Weave Winds of Gold
Light Breeze over Lake Dongting
Layers of Waves, Towering Breakers
Winter Pool, Clear and Shoal
The Yangzi River - Boundless Expanse
The Yellow River - Churning Currents
Autumn Waters - Waves Ever Returning
Clouds Born of the Vast Blue Sea
Lake Glow, Rain Suffused
Clouds Unfurling, A Wave Breaking
A Rising Sun Warms the Mountains
Gossamer Waves - Drifting, Drifting
The Yellow River Breaches its Course
1 comment:
I found a couple of examples of Zhang Hongtu's "Re-make(s) of Ma Yuan's Water Album (780 Years Later)' online and they are gorgeous, if troubling, modern views of China's great waters. I especially love both artist's representations of the Yellow River.
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